York Art Association
Registration Opens September 11th
11/7, 11/8 | 930-4pm | All Levels | $150M $175NM
Adult Class
Come and learn the art of watercolor portraiture! Watercolor painting and capturing the human form are often seen as intimidating and overwhelming to students. In truth, there are proven approaches that can remove much of the guesswork from portrait painting in watercolor. In this 2-day workshop, we will learn an easy and clear method for depicting portraits and figures, using effective watercolor technique. This class is ideal for students who have some experience in drawing or painting portraits, but no prior watercolor experience is required.
Topics will include:
- Simple methods for capturing a likeness and proper proportions
- Working with a limited palette to create natural and vibrant skin tones
- Working with watercolor and different levels of paper dampness
- How to keep your painting fresh and lively
Material List
Tube watercolor (student or professional grade) - Raw Sienna, Ultramarine Blue, Quinacridone Rose, Raw Umber
3 full sheets of 100% cotton rag cold press watercolor paper (140 or 300 lb)
#10 Round Watercolor Brush
1/2" Flat Watercolor Brush
2" Flat Watercolor Brush
Watercolor palette
November 12th | 12pm-3pm | All Levels | $75M $90NM
Adult Workshop
Our focus will be on creating different textural effects with shading. Soft cloth used as drapery and objects on hand will provide textural surfaces to observe. We’ll work with different mark making techniques such as stippling, hatching, cross hatching, and imprinting using impressions. Directional contour marks will be made to create value and form. Each method will be demonstrated and then a drawing will be made to try out the technique.
Actual objects will be provided as subjects, no photographs.
Supplies:
Drawing pencils (such as 2B, 4B, 6B)
a thin nib black permanent marker,
white eraser
a drawing pad or drawing paper
Nov 13th | 930am-3pm | All Levels | $140M $160NM
Do you love watercolor painting, but find it overly restrictive and frustrating in terms of an inherent lack of flexibility in the traditional methodology of the medium? This class will demonstrate the possibilities for use of watercolor in a more flexible and “editable” manner than is typically possible – more akin to oil painting, not with a different kind of paint, but rather a different kind of painting surface.
By employing a smooth surfaced paper stock, as opposed traditional heavy-toothed watercolor paper, this allows a painting to be built up in stages and reworked numerous times. This can facilitate a “loose” approach, where roughly blocked-in color areas can be refined down to a more detailed image. Or, a more “detailed” approach is also possible, carefully developing an initially detailed image and then loosening it in later stages. The inherent flexibility of the process allows for a variety of applications in this regard.
If you are looking to free up your approach to watercolor painting, with increased latitude and workability, this class will be of interest whether you’re already an experienced practitioner or completely new to the medium.
Supply List
Suppled by YAA:
Supplied by Participant:
Brushes
Brush Cleaner
small or large tub
Tube Maintenance
Palette
Colors:
Nov. 16th-18th | 9:30am-4pm | Intermediate-Advanced | $200M $225NM
APPROACH AND METHODS TO MIXING COLORS, CONTROLING EDGES AND USING MASKING FLUID IN WATERCOLOR
The goals of this wokshop are to challenge you artistically and technically and learn to develop a strategy of thinking ahead in planning future paintings. This class is for intermediate to advanced watercolor aritst, understanding of the medium is required to take this course.
You will execute watercolor painting exercises that will cover:
I will display original paintings so that you can see my approach to texture using the above-mentioned techniques and have a chance to ask questions in real time.
Materials:
About the instructor:
Luis F. Pérez was born in Colombia and raised in Bogota and New York City, where he graduated from the School of Visual Arts. After work in the fashion industry and community arts programming, he began in 2015 to present his work in outdoor exhibitions.
He has won numerous awards, and his work has appeared in various watercolor and drawing publications (Splash 17, 19, 20, 22, 23,24; The Best of Drawing; Stroke of Genius; Southwest Art, Artist’s Magazine’s ‘Artist to watch’ 2023, Art of Watercolor Issue 60, Mid Atlantic Exhibition, TWSA).
He is currently a Signature member of the Baltimore Watercolor Society (on The Mid-Atlantic Awards Committee), Delaware Watercolor Society, Annapolis Watercolor Club and the Washington Watercolor Club. He is represented by the Highlandtown Gallery in Baltimore, MD.
He lives and paints in Baltimore, MD.
November 19th | 12pm-3pm | All Levels | $75M $90NM
Composition is all about arranging space and designing the subject in its best light. The arrangement invites your audience in and is the most important decision to make before you begin. No matter how perfect your technique, it does not carry the same importance as the composition. This workshop will cover the basics of composition. The Elements of Design and the way they are used with the Principles of Design will be discussed with examples and exercises. Leading the eye, placement of the subject and how to make your drawing interesting to the audience are topics we will cover, along with common pitfalls to avoid.
Some still life arrangements will be provided as subject matter in order to best hone our skills, no photographs.
Supplies: Any drawing media, drawing pad or paper, eraser
Nov 27th-29th| 930pm-4pm | All Levels | $225M $250NM
Join Linda for a transformative 3-day Oil and Cold Wax Workshop designed for artists who want to explore expressive texture, rich layering, and contemporary approaches to both abstract painting and impressionistic landscape art. This immersive, hands-on workshop is ideal for beginners through advanced artists who want to deepen their skills in oil and cold wax techniques, creative composition, and intuitive mark-making.
Throughout three full studio days, you’ll learn how to use cold wax medium to create depth, luminosity, and atmosphere while building strong paintings with confidence. Through many demonstrations and one-on-one instruction, you’ll experience the full versatility of oil and cold wax as a modern painting method for painting abstractly or realistically.
Cold wax fundamentals: tools, materials, surface prep, safe studio practices
Layering and texture techniques for both abstract work and impressionistic landscapes
Color mixing and value control for atmospheric, luminous paintings
Brayer, palette knife, and scraping methods for dynamic surfaces
Mark-making and reductive techniques that reveal layers and create visual interest
Abstract composition skills for stronger, more expressive paintings
Landscape-building methods: horizon placement, atmospheric depth, and light
Finishing techniques for sealing and enhancing cold wax surface
This workshop is ideal for painters who want to:
Explore oil and cold wax medium for the first time
Develop a more expressive, intuitive approach to painting
Strengthen their skills in abstract composition and impressionistic landscapes
Learn proven techniques used by contemporary cold wax artists
You’ll leave with new techniques, new confidence, and artwork that reflects your growing artistic voice.
MATERIALS NEEDED
NOT NECESSARY, but nice to have
All items can be purchased from Dick Blick, Cheap Joes, Jerry’s Artarama or Amazon.
Dec 1st | 12pm-4pm | $120m $130NM | All Levels
Students will create unique small mixed media works of art. The projects are new, original & make great gifts. Who doesn't like to create and receive handmade gifts?
Explore a variety of materials, techniques, and creative ideas as you design one-of-a-kind pieces that are full of personality. This workshop is a great opportunity to experiment, have fun, and let your creativity take the lead. Whether you keep your creations for yourself or share them with someone special, you'll leave with handmade works that are truly unique.
All Supplies Included
Dec. 2nd | 9:30am-4pm | $140M $160NM | All Levels
Discover the vibrant, velvety world of gouache in this hands-on, one-day workshop designed for all skill levels. Often described as "opaque watercolor," gouache gives you the best of both worlds: the smooth blending of watercolors and the bold layering of acrylics.
If you struggle with watercolor, this medium is more forgiving and easier to learn. Jim finds gouache great for plein air painting because it mixes and applies quickly, and you can make corrections on the fly.
Jim will do a demo, then lead paint-along exercises. By the end of the day, you will master fluid mixing, control your opacity, and walk away with a completed original painting. Bring your own photo reference or use one Jim provides.
Required Materials List
Dec 4th | 9:30-3:30pm | $140M $160NM | All Levels
Are you an artist or non-artist who wants to tap into the creative side of the brain that either has been dormant for many years or never opened? This class is for you. We will explore our techniques, seven elements of art but also have multiple creative exercises that open up your artistic brain so you can see what you want to draw. It’s fun. Engaging challenging in a good way
All skills level. Only requirement: Willingness to learn
Materials List
December 5th | 1-4pm | All Levels | $55M $65NM
The Acrylic Pouring technique aka Fluid Art allows you to apply color in puddles, pools, and marble-like patterns. Pouring results in a smooth, glossy paint film that is perfectly even and blemish free. There are no paintbrushes necessary for this technique as we will be making acrylic paint fluid and pouring onto the canvas. It is particularly popular with beginners as it allows you to create quick paintings with dramatic, contemporary results. Ann will demonstrate two different techniques to pour fluid paint onto a 12”x12” canvas. You must be forewarned though, this technique is quite addictive!
SUPPLIES: $15 mandatory supply fee due to the instructor on the day of the class.
You can see more of Ann Benton Yeager’s work at www.annbentonart.com or check out her work in Studio #103 on the first floor of The Millworks in midtown Harrisburg or in her new studio at the Lancaster Art Vault in downtown Lancaster. If you have any questions regarding this class, please feel free to call The York Art Association 717-755-0028 or Ann (717) 343-5077.
Fecha: 6 de diciembre | 1-4pm| $55M $65NM | Nivel: Todos niveles; edades desde 15 en adelante
¡Acompáñame a pintar! Este taller será completamente en español. Aprenderemos las técnicas básicas de pintura en acrílico.Todos los materiales incluidos…solo traiga su creatividad y ganas de pintar. ¡Si te gusta el arte y quieres pasarla bien con otros latinos amantes del arte esta es tu oportunidad! Se invitan jóvenes y adultos de 15 años en adelante.
December 6th | 1-4pm | $55M $65NM | All Levels
Young Adults and Adult Workshop. Ages 15+
Come paint with me! This workshop will be completely in Spanish and I will cover the basics of acrylic painting. All supplies will be included…just bring your creativity and willingness to paint. If you love art and want to spend a fun and relaxing time with other latinos who feel the same, this is your opportunity! Young and adults 15 and up are invited.
Dec 7-9 | 9:30-4pm | INTERMEDIATE | $225M/$250 NM
In this workshop, the focus is on figurative and animal subjects, exploring essential aspects such as power through design, paint application, the significance of light, mystery, and embracing the beauty of mistakes. Lynne introduces the use of white acrylic to enhance details, provides techniques for crafting realistic skin tones, and guides you in combining elements of abstraction and realism in your watercolor paintings.
Lynne offers personalized one-on-one sessions, addressing individual needs, and presents demonstrations tailored to each student's requests for a truly enriching artistic experience.
Join us for an immersive journey where creativity flourishes under Lynne's expert guidance.
What to expect if you are new to this workshop:
4. Don’t worry if your supplies are limited - Lynne will help you get the most out of the materials you have.
SUPPLY LIST:
5H Pencil
Windsor Newton Brushes: Flats: ½”, ¾”, 1” - Series 295, Small Rounds: 1 and 2 - Series 101, Rigger #3
Arches 300lb Hot Press Paper (Lynne will have 22x30 on hand to purchase at a cost of $22 per sheet payable to the instructor – if needed) subject to change
Paint: Liquitex Heavy Body Titanium White Acrylic
Watercolor (It is not necessary to purchase every color listed below, but these are my favorites)
Winsor Newton Professional Watercolors: Davies Grey, Opera Rose, Indian Yellow, Cobalt Turquoise Light, Quinacridone Gold, Permanent Carmine, Indigo, Van Dyke Brown, Permanent Sap Green, Raw Siena, Cobalt Blue
Rembrandt Watercolors: Alizarin Crimson, Bluish Green, Quinacridone Rust, Sap Green, Van Dyke Yellow, Cobalt Blue, Indigo Blue
Colors from either brand above: Cadmium Yellow
M. Graham Paint:
Any Quinacridone color - My favorite “quin” colors are:
Quinacridone Rust, Quinacridone Gold
*Bring a Sweater (Instructor prefers a cool room)
Pack a Lunch!
Art Supply Catalogs and Online Supplies
www.Journeyartstuff.com Info@journeyartstuff.com
www.dickblick.com 1-800-933-2542
www.cheapjoes.com 1-800-227-2788
LYNNE YANCHA A.W.S. has received national recognition for her luminous watercolors: beautiful paintings of children, animals, still-life, and landscapes. Yancha’s sensitivity to her subjects, superb drawing, painting, and timeless realism is captivating.
Lynne resides in Mifflinburg, PA and has been conducting watercolor workshops at YAA for years. Her three day workshops are always well attended, inspirational and a good time.
https:/lynneyancha.com/
"I always begin my work with musings. I am not sure that the work is so different from years past… what I am sure of is that I am different. I use the same techniques as always in a layered, lost and found way. My media continues to be mixed: watercolor, white acrylic, ink, lead and colored pencils. I like contrast, edge-to-edge interest, and a story: yours and mine. Mostly, I am absolutely in love with the mystery of inspiration and how it affects the process. I have a painting that is entirely different from the image with which I began. It tells its own story!" - Lynne
