York Art Association upcoming events

USING TEXTURE FOR VALUE AND SHADING with Alison Baker (Thursday, November 12, 2026)

Thu, 12 Nov 2026 17:00:00 GMT

November 12th | 12pm-3pm | All Levels | $75M $90NM

Adult Workshop

Our focus will be on creating different textural effects with shading. Soft cloth used as drapery and objects on hand will provide textural surfaces to observe. We’ll work with different mark making techniques such as stippling, hatching, cross hatching, and imprinting using impressions. Directional contour marks will be made to create value and form. Each method will be demonstrated and then a drawing will be made to try out the technique.

Actual objects will be provided as subjects, no photographs.

Supplies:

Drawing pencils (such as 2B, 4B, 6B)

a thin nib black permanent marker,

white eraser

a drawing pad or drawing paper

WATERCOLOR MATERIALS AND TECHNIQUES with Luis Perez (Monday, November 16, 2026)

Mon, 16 Nov 2026 14:30:00 GMT

Nov. 16th-18th | 9:30am-4pm | Intermediate-Advanced | $200M $225NM

Adult Workshop

APPROACH AND METHODS TO MIXING COLORS, CONTROLING EDGES AND USING MASKING FLUID IN WATERCOLOR

The goals of this wokshop are to challenge you artistically and technically and learn to develop a strategy of thinking ahead in planning future paintings. This class is for intermediate to advanced watercolor aritst, understanding of the medium is required to take this course.

You will execute watercolor painting exercises that will cover:

Mixing colors
Edges:
Prevent and/ or fixing ‘tide lines.’
Creating soft edge
Creating hard edges
Masking fluid:
Straight line
Width control
Lifting color

I will display original paintings so that you can see my approach to texture using the above-mentioned techniques and have a chance to ask questions in real time.

Materials:

140 lb. (or heavier) watercolor paper cold press (block) – 9” x 12”
140 lb. watercolor paper cold press scraps
Ruling pen
Masking fluid (preferably tinted)
Painter’s tape
Two triangle rulers or two (thin) metal rulers
Gum Arabic
Rubbing alcohol
Hand towel or dry kitchen sponge(s)
Watercolor palette
Three plastic containers for water
Misting bottle
Large plastic palette knife: "Scotty" Knife or Trowel Offset

Watercolor brushes:

Natural or synthetic
Round size 0, 2, 4, 8 (or 10 or 12)
Flat ¾”, 2”
Bristle (acrylic/ oil paint)
Flat (Filaments are longer than the width) size 1 and 8.
Bright (filaments are shorter than the length) size 1 or 2 and 4 or 6.
Optional: Rosemary & Co Eradicator: small and or medium
Old credit card
Graphite pencils (2H or HB and 6B)

Colors:

Ultramarine Blue
Alizarin Crimson
Cad Red
Cad Yellow Med
Burnt Sienna
Burnt Umber
Prussian Blue
Any other colors you like to work with

About the instructor:

Luis F. Pérez was born in Colombia and raised in Bogota and New York City, where he graduated from the School of Visual Arts. After work in the fashion industry and community arts programming, he began in 2015 to present his work in outdoor exhibitions.

He has won numerous awards, and his work has appeared in various watercolor and drawing publications (Splash 17, 19, 20, 22, 23,24; The Best of Drawing; Stroke of Genius; Southwest Art, Artist’s Magazine’s ‘Artist to watch’ 2023, Art of Watercolor Issue 60, Mid Atlantic Exhibition, TWSA).

He is currently a Signature member of the Baltimore Watercolor Society (on The Mid-Atlantic Awards Committee), Delaware Watercolor Society, Annapolis Watercolor Club and the Washington Watercolor Club. He is represented by the Highlandtown Gallery in Baltimore, MD.

He lives and paints in Baltimore, MD.

WATERCOLOR MATERIALS AND TECHNIQUES with Luis Perez (Tuesday, November 17, 2026)

Tue, 17 Nov 2026 14:30:00 GMT

Nov. 16th-18th | 9:30am-4pm | Intermediate-Advanced | $200M $225NM

Adult Workshop

APPROACH AND METHODS TO MIXING COLORS, CONTROLING EDGES AND USING MASKING FLUID IN WATERCOLOR

You will execute watercolor painting exercises that will cover:

Mixing colors
Edges:
Prevent and/ or fixing ‘tide lines.’
Creating soft edge
Creating hard edges
Masking fluid:
Straight line
Width control
Lifting color

I will display original paintings so that you can see my approach to texture using the above-mentioned techniques and have a chance to ask questions in real time.

Materials:

140 lb. (or heavier) watercolor paper cold press (block) – 9” x 12”
140 lb. watercolor paper cold press scraps
Ruling pen
Masking fluid (preferably tinted)
Painter’s tape
Two triangle rulers or two (thin) metal rulers
Gum Arabic
Rubbing alcohol
Hand towel or dry kitchen sponge(s)
Watercolor palette
Three plastic containers for water
Misting bottle
Large plastic palette knife: "Scotty" Knife or Trowel Offset

Watercolor brushes:

Natural or synthetic
Round size 0, 2, 4, 8 (or 10 or 12)
Flat ¾”, 2”
Bristle (acrylic/ oil paint)
Flat (Filaments are longer than the width) size 1 and 8.
Bright (filaments are shorter than the length) size 1 or 2 and 4 or 6.
Optional: Rosemary & Co Eradicator: small and or medium
Old credit card
Graphite pencils (2H or HB and 6B)

Colors:

Ultramarine Blue
Alizarin Crimson
Cad Red
Cad Yellow Med
Burnt Sienna
Burnt Umber
Prussian Blue
Any other colors you like to work with

About the instructor:

He lives and paints in Baltimore, MD.

WATERCOLOR MATERIALS AND TECHNIQUES with Luis Perez (Wednesday, November 18, 2026)

Wed, 18 Nov 2026 14:30:00 GMT

Nov. 16th-18th | 9:30am-4pm | Intermediate-Advanced | $200M $225NM

Adult Workshop

APPROACH AND METHODS TO MIXING COLORS, CONTROLING EDGES AND USING MASKING FLUID IN WATERCOLOR

You will execute watercolor painting exercises that will cover:

Mixing colors
Edges:
Prevent and/ or fixing ‘tide lines.’
Creating soft edge
Creating hard edges
Masking fluid:
Straight line
Width control
Lifting color

I will display original paintings so that you can see my approach to texture using the above-mentioned techniques and have a chance to ask questions in real time.

Materials:

140 lb. (or heavier) watercolor paper cold press (block) – 9” x 12”
140 lb. watercolor paper cold press scraps
Ruling pen
Masking fluid (preferably tinted)
Painter’s tape
Two triangle rulers or two (thin) metal rulers
Gum Arabic
Rubbing alcohol
Hand towel or dry kitchen sponge(s)
Watercolor palette
Three plastic containers for water
Misting bottle
Large plastic palette knife: "Scotty" Knife or Trowel Offset

Watercolor brushes:

Natural or synthetic
Round size 0, 2, 4, 8 (or 10 or 12)
Flat ¾”, 2”
Bristle (acrylic/ oil paint)
Flat (Filaments are longer than the width) size 1 and 8.
Bright (filaments are shorter than the length) size 1 or 2 and 4 or 6.
Optional: Rosemary & Co Eradicator: small and or medium
Old credit card
Graphite pencils (2H or HB and 6B)

Colors:

Ultramarine Blue
Alizarin Crimson
Cad Red
Cad Yellow Med
Burnt Sienna
Burnt Umber
Prussian Blue
Any other colors you like to work with

About the instructor:

He lives and paints in Baltimore, MD.

DRAWING: COMPOSITION with Alison Baker (Thursday, November 19, 2026)

Thu, 19 Nov 2026 17:00:00 GMT

November 19th | 12pm-3pm | All Levels | $75M $90NM

Adult Workshop

Composition is all about arranging space and designing the subject in its best light. The arrangement invites your audience in and is the most important decision to make before you begin. No matter how perfect your technique, it does not carry the same importance as the composition. This workshop will cover the basics of composition. The Elements of Design and the way they are used with the Principles of Design will be discussed with examples and exercises. Leading the eye, placement of the subject and how to make your drawing interesting to the audience are topics we will cover, along with common pitfalls to avoid.

Some still life arrangements will be provided as subject matter in order to best hone our skills, no photographs.

Supplies: Any drawing media, drawing pad or paper, eraser

OIL & COLD WAX: ABSTRACT AND IMPRESSIONISTIC LANDSCAPES with Linda Benton McCloskey (Friday, November 27, 2026)

Fri, 27 Nov 2026 14:30:00 GMT

Nov 27th-29th| 930pm-4pm | All Levels | $225M $250NM

Adult Workshop

Join Linda for a transformative 3-day Oil and Cold Wax Workshop designed for artists who want to explore expressive texture, rich layering, and contemporary approaches to both abstract painting and impressionistic landscape art. This immersive, hands-on workshop is ideal for beginners through advanced artists who want to deepen their skills in oil and cold wax techniques, creative composition, and intuitive mark-making.

Throughout three full studio days, you’ll learn how to use cold wax medium to create depth, luminosity, and atmosphere while building strong paintings with confidence. Through many demonstrations and one-on-one instruction, you’ll experience the full versatility of oil and cold wax as a modern painting method for painting abstractly or realistically.

What You Will Learn

Cold wax fundamentals: tools, materials, surface prep, safe studio practices
Layering and texture techniques for both abstract work and impressionistic landscapes
Color mixing and value control for atmospheric, luminous paintings
Brayer, palette knife, and scraping methods for dynamic surfaces
Mark-making and reductive techniques that reveal layers and create visual interest
Abstract composition skills for stronger, more expressive paintings
Landscape-building methods: horizon placement, atmospheric depth, and light
Finishing techniques for sealing and enhancing cold wax surface

This workshop is ideal for painters who want to:

Explore oil and cold wax medium for the first time
Develop a more expressive, intuitive approach to painting
Strengthen their skills in abstract composition and impressionistic landscapes
Learn proven techniques used by contemporary cold wax artists

You’ll leave with new techniques, new confidence, and artwork that reflects your growing artistic voice.

MATERIALS NEEDED

1 pint of cold wax (Gamblin or Dorlands). I will have extra for purchase if you run short.
Oil paint - Gamblin 1980 is a good choice. You should have a green, red, blue, yellow, orange and purple. Plus 2 large tubes of white and 1 large tube of black. Any other colors you enjoy would be fine. We will be using lots of white. You can also use water-soluble oil paint. You cannot use both, one or the other.
A bowl scraper - Zole + Chloe Multi=Purpose Silicone Scraper from Amazon is a great choice c can be purchased from Amazon. I will also have them to purchase at cost.
Gamblin odorless solvent - put in a spray bottle. Solvent must be odorless.
Palette knife. I will have the ones I use available for purchase.
Supports - Arches OIL paper / Multimedia Artboard / cradled wooden panels / canvas / panels made for oil. All panels and cradled panels need to be gesso’d prior to class, if not already primed. Watercolor paper can be used…however must be primed with gesso prior to class. If using cradled panel, also tape the sides. If you have a question about this, I can send you a short video on how it’s done. You will need a minimum of 6 supports for the 3 days. We will be working on several at a time. Supports should be no larger than 16 x 16.
Roll of paper towels
Roll of Reynolds FREEZER paper - can be found at the grocery store
Roll of wax paper
Roll of plastic wrap
Masking tape
Couple of cheap or old brushes
A SOFT brayer - I will have some for sale at cost
Cheap dollar store tissue paper
Newsprint or newspapers
Paper and pen for notes
Apron or wear old clothes - this can get very messy
Also 2 tablecloth to cover the floor at your working station and also your work station (Dollar Store)

NOT NECESSARY, but nice to have

You are also welcome to bring - marking tools such as pencils, markers, etc
Collage items
Dry pigment
Oil sticks
Things to push into the paint for texture
Color shaper
Plastic Gloves
Stamps

All items can be purchased from Dick Blick, Cheap Joes, Jerry’s Artarama or Amazon.

SMALL MIXED MEDIA WORKS OF ART with Sue Marrazzo ISAP, NCS, ISEA-NF (Tuesday, December 01, 2026)

Tue, 01 Dec 2026 17:00:00 GMT

Dec 1st | 12pm-4pm | $120m $130NM | All Levels

Adult Workshop

Students will create unique small mixed media works of art. The projects are new, original & make great gifts. Who doesn't like to create and receive handmade gifts?

Explore a variety of materials, techniques, and creative ideas as you design one-of-a-kind pieces that are full of personality. This workshop is a great opportunity to experiment, have fun, and let your creativity take the lead. Whether you keep your creations for yourself or share them with someone special, you'll leave with handmade works that are truly unique.

All Supplies Included

THE ART OF GOUACHE PAINTING with Jim Starr (Wednesday, December 02, 2026)

Wed, 02 Dec 2026 14:30:00 GMT

Dec. 2nd | 9:30am-4pm | $140M $160NM | All Levels

Adult Workshop

Discover the vibrant, velvety world of gouache in this hands-on, one-day workshop designed for all skill levels. Often described as "opaque watercolor," gouache gives you the best of both worlds: the smooth blending of watercolors and the bold layering of acrylics.

If you struggle with watercolor, this medium is more forgiving and easier to learn. Jim finds gouache great for plein air painting because it mixes and applies quickly, and you can make corrections on the fly.

Jim will do a demo, then lead paint-along exercises. By the end of the day, you will master fluid mixing, control your opacity, and walk away with a completed original painting. Bring your own photo reference or use one Jim provides.

Required Materials List

•Gouache Paint Set: Artist-grade or student-grade tubes (Essential colors: Primary Red/Magenta, Primary Blue/Cyan, Primary Yellow, Burnt Umber, and a large 37 ml tube of Titanium White). A wonderful starter set available on Amazon with a wide range of colors is the Shin Han Professional Designer Gouache 15ml Tube 24 Colors Set A. You will still need to purchase White separately: Winsor & Newton Designer's Gouache, 37ml tube, Permanent White
•Brushes: Soft synthetic watercolor brushes (1x Medium Flat, 1x Small Round #2, 1x Medium Round #6), or any Watercolor brushes you currently use.
•Paper: 9”x12”, 100% Cotton Cold Press Watercolor Paper or Heavyweight Mixed Media Paper (minimum 140lb / 300gsm). Watercolor board can also be used.
•Palette: Plastic, ceramic, or airtight stay-wet palette for mixing. Basically, the same as you use for watercolor
•Water Containers: 2 jars or cups (one for cleaning, one for fresh water).
•Essentials: Washi/drafting tape (for crisp edges), paper towels or a cloth rag, and a standard pencil/eraser for initial sketching.

DRAWING FROM THE RIGHT SIDE OF THE BRAIN with Brad Gebhart (Friday, December 04, 2026)

Fri, 04 Dec 2026 14:30:00 GMT

Dec 4th | 9:30-3:30pm | $140M $160NM | All Levels

Adult Workshop

Are you an artist or non-artist who wants to tap into the creative side of the brain that either has been dormant for many years or never opened? This class is for you. We will explore our techniques, seven elements of art but also have multiple creative exercises that open up your artistic brain so you can see what you want to draw. It’s fun. Engaging challenging in a good way

All skills level. Only requirement: Willingness to learn

Materials List

Kneaded eraser
Favorite pencils
Favorite paper

Everything else will be provided by the instructor

Acrylic Pour with Ann Benton Yeager (Saturday, December 05, 2026)

Sat, 05 Dec 2026 18:00:00 GMT

December 5th | 1-4pm | All Levels | $55M $65NM

Adult Workshop

The Acrylic Pouring technique aka Fluid Art allows you to apply color in puddles, pools, and marble-like patterns. Pouring results in a smooth, glossy paint film that is perfectly even and blemish free. There are no paintbrushes necessary for this technique as we will be making acrylic paint fluid and pouring onto the canvas. It is particularly popular with beginners as it allows you to create quick paintings with dramatic, contemporary results. Ann will demonstrate two different techniques to pour fluid paint onto a 12”x12” canvas. You must be forewarned though, this technique is quite addictive!

SUPPLIES: $15 mandatory supply fee due to the instructor on the day of the class.

You can see more of Ann Benton Yeager’s work at www.annbentonart.com or check out her work in Studio #103 on the first floor of The Millworks in midtown Harrisburg or in her new studio at the Lancaster Art Vault in downtown Lancaster. If you have any questions regarding this class, please feel free to call The York Art Association 717-755-0028 or Ann (717) 343-5077.

Pintura Básica en Acrílico (en español) Instructora: Yesenia (Jessie) Groft (Sunday, December 06, 2026)

Sun, 06 Dec 2026 18:00:00 GMT

Fecha: 6 de diciembre | 1-4pm| $55M $65NM | Nivel: Todos niveles; edades desde 15 en adelante

¡Acompáñame a pintar! Este taller será completamente en español. Aprenderemos las técnicas básicas de pintura en acrílico.Todos los materiales incluidos…solo traiga su creatividad y ganas de pintar. ¡Si te gusta el arte y quieres pasarla bien con otros latinos amantes del arte esta es tu oportunidad! Se invitan jóvenes y adultos de 15 años en adelante.

December 6th | 1-4pm | $55M $65NM | All Levels

Young Adults and Adult Workshop. Ages 15+

Come paint with me! This workshop will be completely in Spanish and I will cover the basics of acrylic painting. All supplies will be included…just bring your creativity and willingness to paint. If you love art and want to spend a fun and relaxing time with other latinos who feel the same, this is your opportunity! Young and adults 15 and up are invited.

LUMINOUS WATERCOLOR with Lynne Yancha (Monday, December 07, 2026)

Mon, 07 Dec 2026 14:30:00 GMT

Dec 7-9 | 9:30-4pm | INTERMEDIATE | $225M/$250 NM

Adult Workshop

In this workshop, the focus is on figurative and animal subjects, exploring essential aspects such as power through design, paint application, the significance of light, mystery, and embracing the beauty of mistakes. Lynne introduces the use of white acrylic to enhance details, provides techniques for crafting realistic skin tones, and guides you in combining elements of abstraction and realism in your watercolor paintings.

Lynne offers personalized one-on-one sessions, addressing individual needs, and presents demonstrations tailored to each student's requests for a truly enriching artistic experience.

Join us for an immersive journey where creativity flourishes under Lynne's expert guidance.

What to expect if you are new to this workshop:

1. To benefit the most from this workshop, you should have a basic knowledge of watercolor.
2. You are encouraged to bring your own photograph reference (5x7 or larger and clear) or use one of the references available during the session.
3. You will work at your own pace - each student will receive individualized instruction.

4. Don’t worry if your supplies are limited - Lynne will help you get the most out of the materials you have.

SUPPLY LIST:

5H Pencil

Windsor Newton Brushes: Flats: ½”, ¾”, 1” - Series 295, Small Rounds: 1 and 2 - Series 101, Rigger #3

Arches 300lb Hot Press Paper (Lynne will have 22x30 on hand to purchase at a cost of $22 per sheet payable to the instructor – if needed) subject to change

Paint: Liquitex Heavy Body Titanium White Acrylic

Watercolor (It is not necessary to purchase every color listed below, but these are my favorites)

Winsor Newton Professional Watercolors: Davies Grey, Opera Rose, Indian Yellow, Cobalt Turquoise Light, Quinacridone Gold, Permanent Carmine, Indigo, Van Dyke Brown, Permanent Sap Green, Raw Siena, Cobalt Blue

Rembrandt Watercolors: Alizarin Crimson, Bluish Green, Quinacridone Rust, Sap Green, Van Dyke Yellow, Cobalt Blue, Indigo Blue

Colors from either brand above: Cadmium Yellow

M. Graham Paint:

Any Quinacridone color - My favorite “quin” colors are:

Quinacridone Rust, Quinacridone Gold

*Bring a Sweater (Instructor prefers a cool room)

Pack a Lunch!

Art Supply Catalogs and Online Supplies

www.Journeyartstuff.com Info@journeyartstuff.com

www.dickblick.com 1-800-933-2542

www.cheapjoes.com 1-800-227-2788

LYNNE YANCHA A.W.S. has received national recognition for her luminous watercolors: beautiful paintings of children, animals, still-life, and landscapes. Yancha’s sensitivity to her subjects, superb drawing, painting, and timeless realism is captivating.

Lynne resides in Mifflinburg, PA and has been conducting watercolor workshops at YAA for years. Her three day workshops are always well attended, inspirational and a good time.

https:/lynneyancha.com/

"I always begin my work with musings. I am not sure that the work is so different from years past… what I am sure of is that I am different. I use the same techniques as always in a layered, lost and found way. My media continues to be mixed: watercolor, white acrylic, ink, lead and colored pencils. I like contrast, edge-to-edge interest, and a story: yours and mine. Mostly, I am absolutely in love with the mystery of inspiration and how it affects the process. I have a painting that is entirely different from the image with which I began. It tells its own story!" - Lynne