WEDNESDAY (3/4) 10-2pm | All Levels | $125M / $150NM
Mixed Media is a type of art that combines different media and materials into one work of art. Join award-winning experimental artist, Sue Marrazzo, as she shares her love of color theory, art design, composition, & mixed media techniques. You will be guided in this step by step workshop.
Enjoy new lessons which will expand your creativity, helping you to discover fresh techniques and express yourself in innovative ways.
SUPPLY LIST:(available at http://www.dickblick.com, Hobby Lobby)3/4"-1" Acrylic Wash Brush Gel Medium 16"x20" Stretched Canvas
Note: Art Instructor will bring all other supplies.
SUE MARRAZZO, ISAP, NCS, ISEA is an award-winning experimental artist who works in collage, mixed media, acrylic, sculpture, and encaustic painting. Sue's art tends to be influenced by fashion, interior design, and art history. She believes, "Art is about learning to see." Sue's strengths as an artist are with color theory and composition. She describes her art as : "BOLD, COLORFUL, EXPERIMENTAL, and INDIVIDUALISTIC."
Sue Marrazzo has exhibited in numerous local, regional, national and international juried shows, and exhibits. She currently teaches collage, abstract painting and experimental mixed media.
https://www.facebook.com/SueMarrazzoArt
March 6th | 930-4pm | All Levels | $150M $175 NM
This one-day workshop offers an in-depth exploration of painting with the Reductive Method using water-mixable oil paints. If you took the Pop-up and left wanting to do more or your eager to learn a fun new method this workshop is right for you!
The class will follow Jim’s demo by painting on a provided gesso-coated Hardboard. We will apply paint with brushes and palette knives and remove it with squeegees, paper towels, and Q-Tips. This method is fun and helps you quickly define your tonal values. Switching from harsh solvents to water when mixing oil paints is a game-changer!
Jim will provide a prepared Hardboard, dabs of water-mixable oil paint (I use Cobra brand paint), a cheap hardware store “chip brush,” Q-tips, and a small squeegee (you will still need to purchase the large one from the Supplies List or borrow from Jim – he has a few extra).
Please review the Supply List to ensure you have everything you need for the Workshop.
Supply List
• A couple of synthetic bright brushes, sizes 14 - 18. A bright brush is a type of flat brush with short bristles that is used for applying short, controlled strokes of paint
• A rigger watercolor brush for fine detail (this is optional)
• Ettore Solid Brass Squeegee, 6-Inch- (Jim has a few extra to borrow if you don’t want to purchase) - Amazon link: https://www.amazon.com/gp/product/B000BQL3U4/ref=oh_aui_detailpage_o03_s00?ie=UTF8&psc=1
• Roll of Bounty paper towels
• Palette for mixing the water-soluble oil paint- a paper or styrofoam plate will do or palette paper
• Plastic Trash bag – grocery bag size for used paper towels
• Container for water (to thin paint and wash brushes).
• Soap to wash out brushes
• An apron is recommended, and gloves are optional.
• Reference Photos to paint from (prints or digital photos are OK). Consider a reference with well-defined values and contrasts. Jim will also have pictures to work from.
Jim Starr Illustration
www.jimstarr.com
Jim Starr Gallery Prints & Original Art
www.jimstarrart.com
717-993-3552 Land
717-993-6598 Cell
https://www.instagram.com/jimstarrart/
https://www.facebook.com/jimstarrart
SATURDAY (3/7) 9-3:30 pm | Beginner | $120M $140NM
Discover the art of printmaking in this immersive, full-day workshop! Perfect for beginners, this hands-on class will guide you through the entire linocut printmaking process from sketching your design, carving your own linoleum block, to inking and printing your final artwork.
Participants will learn essential techniques for safe and effective carving, explore creative approaches to illustration, and leave with their own handcrafted prints. All materials are provided, and no prior experience is necessary.
This workshop is open to ages 10 and up. Please note that sharp carving tools will be used as part of the printmaking process.
Lino Cutter Set: Blick Lino Cutter Set | BLICK Art Materials
All other materials will be provided
Kristine Ferg embodies the true essence of an artist in every aspect. Armed with a wealth of knowledge, including a BS in Graphic Design, a BA in Art History, a certificate in Exhibition Design, and a minor in studio art, she fearlessly explores various mediums as an artist and multidisciplinary designer. At the core of her creative pursuits is an unwavering commitment to making a positive impact, and she eagerly anticipates expanding her artistic endeavors.
3/9 3/10 3/11 | 9:30-4pm | INTERMEDIATE | $225M/$250 NM
In this workshop, the focus is on figurative and animal subjects, exploring essential aspects such as power through design, paint application, the significance of light, mystery, and embracing the beauty of mistakes. Lynne introduces the use of white acrylic to enhance details, provides techniques for crafting realistic skin tones, and guides you in combining elements of abstraction and realism in your watercolor paintings.
Lynne offers personalized one-on-one sessions, addressing individual needs, and presents demonstrations tailored to each student's requests for a truly enriching artistic experience.
Join us for an immersive journey where creativity flourishes under Lynne's expert guidance.
What to expect if you are new to this workshop:
SUPPLY LIST:
5H Pencil
Windsor Newton Brushes: Flats: ½”, ¾”, 1” - Series 295, Small Rounds: 1 and 2 - Series 101, Rigger #3
Arches 300lb Hot Press Paper (Lynne will have 22x30 on hand to purchase at a cost of $22 per sheet payable to the instructor – if needed) subject to change
Paint: Liquitex Heavy Body Titanium White Acrylic
Watercolor (It is not necessary to purchase every color listed below, but these are my favorites)
Winsor Newton Professional Watercolors: Davies Grey, Opera Rose, Indian Yellow, Cobalt Turquoise Light, Quinacridone Gold, Permanent Carmine, Indigo, Van Dyke Brown, Permanent Sap Green, Raw Siena, Cobalt Blue
Rembrandt Watercolors: Alizarin Crimson, Bluish Green, Quinacridone Rust, Sap Green, Van Dyke Yellow, Cobalt Blue, Indigo Blue
Colors from either brand above: Cadmium Yellow
M. Graham Paint:
Any Quinacridone color - My favorite “quin” colors are:
Quinacridone Rust, Quinacridone Gold
*Bring a Sweater (Instructor prefers a cool room)
Pack a Lunch!
Art Supply Catalogs and Online Supplies
www.jerrysartarama.com 1-800-827-8478
www.dickblick.com 1-800-933-2542
www.cheapjoes.com 1-800-227-2788
LYNNE YANCHA A.W.S. has received national recognition for her luminous watercolors: beautiful paintings of children, animals, still-life, and landscapes. Yancha’s sensitivity to her subjects, superb drawing, painting, and timeless realism is captivating.
Lynne resides in Mifflinburg, PA and has been conducting watercolor workshops at YAA for years. Her three day workshops are always well attended, inspirational and a good time.
https:/lynneyancha.com/
"I always begin my work with musings. I am not sure that the work is so different from years past… what I am sure of is that I am different. I use the same techniques as always in a layered, lost and found way. My media continues to be mixed: watercolor, white acrylic, ink, lead and colored pencils. I like contrast, edge-to-edge interest, and a story: yours and mine. Mostly, I am absolutely in love with the mystery of inspiration and how it affects the process. I have a painting that is entirely different from the image with which I began. It tells its own story!" - Lynne
3/16 3/17 3/18 | 930pm-4pm | All Levels | $225M $250NM
Join Linda for a transformative 3-day Oil and Cold Wax Workshop designed for artists who want to explore expressive texture, rich layering, and contemporary approaches to both abstract painting and impressionistic landscape art. This immersive, hands-on workshop is ideal for beginners through advanced artists who want to deepen their skills in oil and cold wax techniques, creative composition, and intuitive mark-making.
Throughout three full studio days, you’ll learn how to use cold wax medium to create depth, luminosity, and atmosphere while building strong paintings with confidence. Through many demonstrations and one-on-one instruction, you’ll experience the full versatility of oil and cold wax as a modern painting method for painting abstractly or realistically.
Cold wax fundamentals: tools, materials, surface prep, safe studio practices
Layering and texture techniques for both abstract work and impressionistic landscapes
Color mixing and value control for atmospheric, luminous paintings
Brayer, palette knife, and scraping methods for dynamic surfaces
Mark-making and reductive techniques that reveal layers and create visual interest
Abstract composition skills for stronger, more expressive paintings
Landscape-building methods: horizon placement, atmospheric depth, and light
Finishing techniques for sealing and enhancing cold wax surface
This workshop is ideal for painters who want to:
Explore oil and cold wax medium for the first time
Develop a more expressive, intuitive approach to painting
Strengthen their skills in abstract composition and impressionistic landscapes
Learn proven techniques used by contemporary cold wax artists
You’ll leave with new techniques, new confidence, and artwork that reflects your growing artistic voice.
MATERIALS NEEDED
NOT NECESSARY, but nice to have
All items can be purchased from Dick Blick, Cheap Joes, Jerry’s Artarama or Amazon.
Thurs-Fri 3/19-3/20| 930am-330pm | Beginner |$150M $175NM
Do you want to be an artist but not sure how to get started? Have you taken some art classes but need a review of basic concepts to pull it all together? All levels are welcome but this course is designed with the beginner in mind. Through small exercises we will examine the Elements of Art with an in depth exploration of value, color, form and basic perspective. We will explore various media such as graphite (pencil), pen & ink techniques, gouache paint.
We will build an art kit as we go, for the FIRST night please bring
HB pencil
Eraser
Colored pencils, crayons, markers etc (anything around the house, under the couch, in the kids toy box) to make color while taking notes.
1 inch, 3 ring binder for handouts
Saturday 3/21 | 10am-5pm | Beginner-Intermediate | $150M/$175 NM
Curious about oil painting but feeling a bit intimidated? This workshop is geared towards the established artist already versed in other mediums, but wants to explore oil painting. Chris will guide you through the basics of using this forgiving, vibrant medium. Color mixing, various supports, mediums, brushes, mark making and other oil relevant issues will be presented. With demos, hands-on instruction, and time to experiment, you'll paint from simple studio setups or your own photo references, all with supportive guidance from Chris. By the end, you'll have the confidence and skills to continue exploring oil painting on your own and develop your unique style!
Please bring a bagged lunch!
Supply List:
All are available on Amazon, Jerry’s Artarama or Dick Blick *To help cut cost, buddy up with someone planning to take the class and share supplies!
All HIGHLIGHTED ITEMS will be available for purchase from the instructor for a fee of $20 due at the start of the workshop. Artist may also bring their own supplies. Chris will be in touch with each student prior to workshop.
Canvas or Panels: 2-4, 11x14 or 12x16 sizes
Canvas Paper: tablet for color mixing exercises. Any size
Oil Paints: a beginner set of oils that include titanium white, one yellow, one red, ultramarine blue, burnt sienna. Additional colors would be beneficial but not necessary.
Medium: (to shorten drying time and increase flow of paint) Bring ONE of the following:
Liquin original (Winsor & Newton). Has slight odor. Solvent free gel (comes in a tube: Gamblin). Very little odor. Glossy finish Galkyd Lite Gel (comes in a tube: Gamblin) Satin finish Thinner/Cleaner: Gamsol to thin paint and clean brushes. Please do NOT bring turpentine or terpenoid due to odor. Palette: Can be parchment paper, palate paper, or any traditional palette. All Students are Responsible for the following supplies: Palette Knife: RGM highly recommended for flexibility. Any size. Brushes: Watercolor brushes are too soft. A set of brushes in various sizes and shapes geared for oil or acrylic paint (not all mediums). Chip Brush: A cheap 2 inch bristle brush from a home supply store. Jar: A glass jar such as a small mason jar or empty jelly jar with lid. Optional: old credit card, small rubber spatula, rub out tool.
Liquin original (Winsor & Newton). Has slight odor.
Solvent free gel (comes in a tube: Gamblin). Very little odor. Glossy finish Galkyd Lite Gel (comes in a tube: Gamblin) Satin finish
Solvent free gel (comes in a tube: Gamblin). Very little odor. Glossy finish
Galkyd Lite Gel (comes in a tube: Gamblin) Satin finish
Thinner/Cleaner: Gamsol to thin paint and clean brushes. Please do NOT bring turpentine or terpenoid due to odor.
Palette: Can be parchment paper, palate paper, or any traditional palette.
All Students are Responsible for the following supplies:
Palette Knife: RGM highly recommended for flexibility. Any size.
Brushes: Watercolor brushes are too soft. A set of brushes in various sizes and shapes geared for oil or acrylic paint (not all mediums).
Chip Brush: A cheap 2 inch bristle brush from a home supply store.
Jar: A glass jar such as a small mason jar or empty jelly jar with lid.
Optional: old credit card, small rubber spatula, rub out tool.
Tues-Wed 3/24 3/25 | All Levels | 930-4pm | $150M $175NM
This workshop invites students to connect their collage practice with a bit of art history. We’ll begin by looking at mid-century modern design and artists such as Henri Matisse, Paul Klee, and Cy Twombly, focusing on how they use color, shape, line, and composition to build visual rhythm and meaning.
Each student will choose a specific artist or design influence that really resonates with them. Through guided prompts and short discussions, we’ll identify what feels compelling. Is it Matisse’s cut-paper shapes? Klee’s playful geometry? Twombly’s scribbled marks and sense of gesture? Then translate those ideas into personal collage studies.
Rather than copying, this workshop emphasizes inspired design: how to borrow visual strategies while still making something that feels like your own. By the end of the workshop, students will leave with a small series of colleges, a deeper appreciation for mid-century modern art and design, and new tools for thoughtfully incorporating historical influences into their work
Materials List
1) 16 x20 canvas boards, or cradled wood panels. You can use another size if you prefer, but don't go too small.
2) Acrylic paints, your choice of colors, and a black and white paint.
3) Matt medium, Matt gel (for heavier paper)
4) Brushes of different sizes, a ratty brush for the matt medium and a brayer
5) Paper stash, including any magazines you would like to use
5) Stencils
6) PAPER TOWELS
7) Wax paper (grocery store)
I will bring a plethora of collage papers to share! We will be looking at samples of Art (YAA has many art history books). I will bring some of my art history favorites as well.
March 28th | 10am- 3pm | All Levels | $100M $125 NM
Dive into the exciting world of Japanese Anime and learn how to bring your favorite characters to life! We’ll begin with a fun and engaging overview of Anime’s history and styles to set the stage for our creative journey.
Students will learn how to draw Anime faces and heads, how to show emotions through expressions, and how to draw bodies in classic Anime proportions. We’ll explore multiple popular styles including chibi, mecha, fantasy creatures, and beloved Anime-inspired characters.
This beginner-friendly drawing workshop also introduces different art materials, surfaces, and basic drawing techniques perfect for building confidence and growing skills. No experience needed just bring your imagination, a positive attitude, and your love of Anime!
Supplies: All materials are included.
York Art Association
717-755-0028
office@yorkartassociation.org