SATURDAY MAR 1 | 9-4pm | ALL LEVELS | $135M/$150NM
Reductive Painting with Water Mixable Oils Workshop
This one-day workshop will cover the benefits of using the reductive method to paint with water-mixable oils. The reductive technique involves applying paint to a canvas and removing some of it with various tools while the paint is still wet.
The class will follow Jim’s demonstration by painting on a gesso-coated hardboard. We will add paint using brushes and remove the paint using squeegees, paper towels, and Q-Tips. This method is fun and helps you quickly define your tonal values. Mixing water instead of harsh solvents with oil is a game-changer!
Jim will provide most of the supplies needed. (a prepared Hardboard, water-mixable oil paint (He uses Cobra brand paint), chip brushes, Q-tips, and squeegees.)
$20 SUPPLY FEE COVERS: 6" brass squeegee 2" Squeegee Hardboard Surfaces use of: Chip brushes Palette Water Containers Various Brushes Paper Towels & Q-tips
STUDENT SUPPLY LIST:
$20 Supply Fee due to instructor at the beginning of class. A couple of synthetic bright brushes sizes 14 - 18. (A bright brush is a type of flat brush with short bristles that are used for applying short, controlled strokes of paint.)
A Rigger watercolor brush for fine detail (optional)
Plastic grocery bag
An apron is recommended, and gloves are optional.
If you have any questions, please contact Jim Starr at jim@jimstarr.com.
TUE/WED (3/4, 3/5 ) 9:30-4pm | All Levels | $150M / $175NM
Looking for a deeper understanding of color in your artwork? In this exciting workshop you will learn to think differently about color and the color wheel. No matter your preferred medium, through mixing paint you will learn how to control the three components of color: value, temperature and intensity to confidently apply to your own work. You will be creating useful color reference tool and charts for your studio. Gouache paints will be provided to create a complex color wheel and several value scales which will include values between compliments. We will also explore a deeper understanding of tints, tones, and shades.
If time allows, on the second day we will discuss, explore and apply various color schemes such as monochromatic, analogous, complimentary, split compliment, and double split complementary color schemes to small compositions.
SUPPLY LIST:
Tablet of Arches HOT press watercolor paper 9" x 12"
Paper towels
Note pad & pen/pencil
Ruler Mixing Palette Palette knife
If you have questions please e-mail
Emily Frey: freedomfrey42@gmail.com) or call (717) 779 -9637
FRI (3/7, 6-9pm) & SAT (3/8, 9am-12) | Intermediate | $150M / $175NM
Curious about oil painting but feeling a bit intimidated? This workshop is geared towards the established artist already versed in other mediums, but wants to explore oil painting. Chris will guide you through the basics of using this forgiving, vibrant medium. Color mixing, various supports, mediums, brushes, mark making and other oil relevant issues will be presented. With demos, hands-on instruction, and time to experiment, you'll paint from simple studio setups or your own photo references, all with supportive guidance from Chris. By the end, you'll have the confidence and skills to continue exploring oil painting on your own and develop your unique style!
Supply List:
All are available on Amazon, Jerry’s Artarama or Dick Blick *To help cut cost, buddy up with someone planning to take the class and share supplies!
All HIGHLIGHTED ITEMS will be available for purchase "as a bundle" from the instructor for a fee of $20 due at the start of the workshop. Artist may also bring their own supplies. Chris will be in touch with each student prior to workshop.
Canvas or Panels: 2-4, 11x14 or 12x16 sizes
Canvas Paper: tablet for color mixing exercises
Oil Paints: a beginner set of oils that include titanium white, one yellow, one red, ultramarineblue, burnt sienna. Additional colors would be beneficial but not necessary.
Medium: (to shorten drying time) Bring ONE of the following:
Liquin original (Winsor & Newton). Has slight odor. Solvent free gel (Gamblin). Very little odor. Neo Meglip (Gamblin)
Liquin original (Winsor & Newton). Has slight odor.
Solvent free gel (Gamblin). Very little odor.
Neo Meglip (Gamblin)
Thinner/Cleaner: Gamsol to thin paint and clean brushes. Please do NOT bring turpentine or terpenoid due to odor.
Palette: Can be parchment paper, palate paper, or any traditional palate.
All Students Responsible for the following supplies:
Palette Knife: RGM highly recommended for flexibility. Any size.
Brushes: Watercolor brushes are too soft. A set of brushes in various sizes and shapes geared for oil or acrylic paint (not all mediums).
Chip Brush: A cheap 2 inch or bristle brush from a home supply store.
Jars: Two glass jars such as a small mason jar or empty jelly jar with lid.
Optional: old credit card, small rubber spatula, rub out tool.
WEDNESDAY (3/12) 10-2pm | All Levels | $100M / $125NM
Mixed Media is a type of art that combines different media and materials into one work of art. Join award-winning experimental artist, Sue Marrazzo, as she shares her love of color theory, art design, composition, & mixed media techniques. You will be guided in this step by step workshop.
Enjoy new lessons which will expand your creativity, helping you to discover fresh techniques and express yourself in innovative ways.
SUPPLY LIST:(available at http://www.dickblick.com, Hobby Lobby)3/4"-1" Acrylic Wash BrushGel Medium16"x20" Stretched Canvas
Note: Art Instructor will bring all other supplies.
3/14 & 3/15, 9:30-4pm | All Levels | $250 MEM / $275 NON-MEM
In this relaxed upbeat workshop you will learn how to see the depth of color and create a unique and personally expressive landscape painting or (subject of your choice). Susan is skilled in all mediums but will focus her demonstrations in this 2-Day workshop on pastel and oil painting, using watercolor and acrylic as underpaintings. Whether you work in pastel, oil, watercolor or the acrylic medium, you will learn how to use the color wheel to discover how to use expressive color to capture the essence of mood and atmosphere in sky, water, and more.
Susan's fifty years of plein air and studio painting will lead you to your personal color expression in the medium of your choice. Each day will begin with a short inspiring demonstration focusing on methods that will aid in color expression. The use of underpainting and color mixing will be explored in both pastel and oil. “Thumbnail Sketches” and their importance in supporting strong compositions and values within color, will help you “Target Focus” on what inspires you in the landscape or subject of your choice. There will be personal time at your easel following each morning demo, with support and attention given at each artist’s easel.
Susan requests that each artist contact her before or after registering. Her teaching philosophy is to “Connect, Inspire, and Support.”
Please make sure to contact Susan at 814-360-2116 or email at SNicholasArt@gmail.com so you can discuss your goals and share your art prior to the class.
SUPPLIES:
Visit the Susan Nicholas Gephart-Online Class Supplies page of https://www.snicholasart.com/supplies-products
Contact Instructor with questions at: SNicholasArt@gmail.com
Instructor Website: www.SNicholasArt.com
MON/TUE/WED (3/17-3/19) 9:30-4pm | Intermediate | $225M/$250 NM
In this workshop, the focus is on figurative and animal subjects, exploring essential aspects such as power through design, paint application, the significance of light, mystery, and embracing the beauty of mistakes. Lynne introduces the use of white acrylic to enhance details, provides techniques for crafting realistic skin tones, and guides you in combining elements of abstraction and realism in your watercolor paintings.
Lynne offers personalized one-on-one sessions, addressing individual needs, and presents demonstrations tailored to each student's requests for a truly enriching artistic experience.
Join us for an immersive journey where creativity flourishes under Lynne's expert guidance.
What to expect if you are new to this workshop:
1. To benefit the most from this workshop, you should have a basic knowledge of watercolor. 2. You are encouraged to bring your own photograph reference (5x7 or larger and clear) or use one of the references available during the session. 3. You will work at your own pace - each student will receive individualized instruction.4. Don’t worry if your supplies are limited - Lynne will help you get the most out of the materials you have.
5H Pencil
Windsor Newton Brushes: Flats: ½”, ¾”, 1” - Series 295, Small Rounds: 1 and 2 - Series 101, Rigger #3
Arches 300lb Hot Press Paper (Lynne will have 22x30 on hand to purchase at a cost of $22 per sheet payable to the instructor – if needed) subject to change
Paint: Liquitex Heavy Body Titanium White Acrylic
Watercolor (It is not necessary to purchase every color listed below, but these are my favorites)
Winsor Newton Professional Watercolors: Davies Grey, Opera Rose, Indian Yellow, Cobalt Turquoise Light, Quinacridone Gold, Permanent Carmine, Indigo, Van Dyke Brown, Permanent Sap Green, Raw Siena, Cobalt Blue
Rembrandt Watercolors: Alizarin Crimson, Bluish Green, Quinacridone Rust, Sap Green, Van Dyke Yellow, Cobalt Blue, Indigo Blue
Colors from either brand above: Cadmium Yellow
M. Graham Paint:
Any Quinacridone color - My favorite “quin” colors are:
Quinacridone Rust, Quinacridone Gold
*Bring a Sweater (Instructor prefers a cool room)
Pack a Lunch!
Art Supply Catalogs and Online Supplies
www.jerrysartarama.com 1-800-827-8478
www.dickblick.com 1-800-933-2542
www.cheapjoes.com 1-800-227-2788
THURS/FRI (3/20 & 21) 9:30-4pm | All Levels | $150M / $175NM
Discover the ancient art of Dynamic Symmetry and go beyond the rule of thirds! Break through creative plateaus and transform your artistic practice by mastering dynamic symmetry – a powerful compositional framework used by painters and sculptors for thousands of years. While the rule of thirds offers basic guidance, dynamic symmetry provides a sophisticated system of grids using vertical, horizontal, and diagonal lines to create balanced, rhythmic compositions that naturally guide the viewer's eye.
Kim brings extensive experience in the areas of design theory and composition, with particular focus on the intersection of fine art and graphic design. Her work explores color, texture, and layered deconstruction built upon intuitive design harmony, often incorporating typography and text elements to create deeper meaning.
In this two-day workshop, you'll learn:
Day 1:
Day 2:
*Course title inspired by Tavis Leaf Glover's work on dynamic symmetry
Note: Best to pack a lunch
Notebook or sketchbook for lecture handouts and note-taking
Substrate for exercises
Pencil, pens or dry medium
Wet medium, mark making tools for wet medium (brushes, palette knives, etc)
Scissors
Heavy paper, board or canvas for in depth development (any size, square or rectangle) your preference
Glue stick for exercises
Materials you use for your usual or preferred media
Container for water and Surface for mixing paint if using wet medium
Paper towels for cleaning
Frog or masking tape to secure work area
Metal Ruler 90 degree triangle
About Kim Morrow
BFA, Advertising, Kutztown University MFA, Graphic Design, Marywood University
During my professional life, I have been a graphic designer, book designer, art director, and creative team supervisor. For 19 years I was an owner/partner of a graphic design studio. The last 18 years I was an instructor of digital graphic design at a technical school, seven of which as the program director coinciding with three years as co-director of web design. I also served one year as acting drafting program director.
Mediums: Acrylic, watercolor, collage, mixed mediums, digital collage papers, gelli plate printing, pencil, marker, charcoal, colored pencils are a few that I work with regularly. I am always looking to experiment with a new technique. I also love working in 3D and enjoy book making and graphic design
My focus has become an exploration in color, texture, deconstruction layering over a structure of basic intuitive design harmony. My influences have been fine artists and great graphic designers. As an educator, I studied theories and principles of design and composition. I found I have a great love for typography so you may see letters, words and phrases creep into my work as well.
3/22, 1-4pm | All Levels | $55* M / $60*NM Registration deadline is 3/16 to allow for adequate supply of materials.
The Acrylic Pouring technique aka Fluid Art allows artists to apply color in puddles, pools, and marble-like patterns. Pouring results in a smooth, glossy paint film that is perfectly even and blemish free. There are no paintbrushes necessary for this technique. It is particularly popular with beginners as it allows artists to create quick paintings with dramatic, contemporary results.
SUPPLY LIST: *Supply fee of $15.00 due to the instructor at start of workshop.
THURS/FRI (3/27 & 28) 9:30-4pm | All Levels | $150M / $175NM Day One: We will be working on creating the papers we will use in this class. Starting with Gelli Plate printing, using stencils and stamps and nature. By nature, I mean ferns, leaves and any plant life from your yard that you wish to print with. We will print on magazine pages and deli paper (I will supply the deli paper). Day Two: Using our newly made materials, we will create several 6 x 6 small pieces as studies for working larger. These collages will be created in a mixed media sketchbook where you can write notes about what you have created, with perhaps further ideas about composition and design. All levels welcome!
SUPPLY LIST: Day One Supplies Gelli Plate 5 x 7 or 8 x 10 Any acrylic paint that you already have Brayer Paper towels Baby wipes (easy clean-up for Gelli Plate) Paper to print on, magazines, I will provide deli paper Stencils that you want to use (I will have some to share) Day Two Supplies Canvas boards, available at Michaels, or any substrate that you prefer. I suggest 16 x 20 size or smaller. Paints Brushes Paper stash, and Gelli prints Brayer Glue Stick Matt medium Scissors
SATURDAY (2/29) 1-3pm | All Levels | $50* M / $65* NM
Alcohol Inks are a highly fluid color that are vibrant and fast drying. They are also moisture-resistant and permanent once dry, and will work perfectly on almost any clean, oil-free surface. Alcohol inks can be used to make stunning paintings on a variety of non-porous surfaces. These concentrated inks are alcohol-based and waterproof. They are semi-transparent which means they can be layered and combined together to create gorgeous effects. No experience is necessary to dive into this beautiful medium!
SUPPLY FEE: *$15 supply fee paid to instructor at class. Instructor will bring all materials.
York Art Association
717-755-0028
office@yorkartassociation.org
